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The runaway hit of ABC’s 2004-2005 TV season, the weekly, hour-long drama Lost TV Show began at a point that in any other case may have been an ending: a passenger jet was torn apart in mid-air, crashing on an uncharted Pacific Island. Stripped of all vestiges of the civilized world, the 48 survivors were forced to fend for themselves in their new tropical surroundings, which departed from the “norm” for similar castaway dramas by boasting a bizarre and frequently incomprehensible topography, not to mention a most unusual variety of wildlife.

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“Lost” is one of the shows which gets the highlight at the ongoing D23 Expo. Apart from auctioning its memorabilia, the show is also giving the first look into its sixth season’s poster. The art, although simple, contains symbols written translucently on the fonts of “The Final Season”. Also noticeable is the characters line-up that includes the fallen ones like Shannon, Charlie, Ana Lucia and Mr. Eko.

Since this would be the last season before the show ends for good, ABC has conducted an auction to sell its props at the Expo. Kate’s toy plane, Hurley’s winning lottery ticket, Locke’s hunting knife, Sawyer’s letter and many other pieces are sold to the highest bidder. These items are on display at the Anaheim Convention Center where the event is held from September 10 to 13.

On Saturday, September 12 at noon to 2 P.M., there will be Lost Trading Cards and autograph signings from two special cast.

“Lost” is set to return on TV next year with several familiar faces returning. Ian Somerhalder who plays Boone in season 1 has confirmed his return to the final season. Dominic Monaghan aka Charlie reportedly is also signed for three episodes.

What did you think of tonight’s episode of LOST, “He’s Our You“?

Wow, I just spent the whole episode wondering why Sayid wasn’t cooperating and being mad at Sawyer for not trying hard enough to save him. Then it all changed in the last 5 seconds, which turned out to be a huge “oh no that did NOT just happen” moment. Sayid is the man! But what does this mean for the show now?? Is modern day Ben going to disappear? I thought they couldn’t change the past? Maybe he will come back to life. So much of everything that has happened since the beginning of the show has been Ben’s doing; so what’s going to happen if adult Ben never existed? Ahhh..this show makes my head hurt. Will it be like in Back to The Future when pictures start fading? Where is Doc Brown when you need him?

Another thing I found odd was that Sayid seemed to truly be on the Guam flight by accident. Sort of like the same providential force that brought all the original losties to the island on the Oceanic flight. If the lady that captured Sayid was telling the truth, and she wasn’t working with Ben, was it Sayid’s destiny to return to the island? Was killing Ben his destiny? OR was the lady lying? Maybe she was in fact working for Ben, or Charles Widmore.

One thing my friend pointed out to me last week (and I thought it was interesting) is that in season 2 we find out the “others” were only interested in apprehending certain plane victims (Jack, Kate, Hurley, Sawyer). These were the same people that would later make it to the island in the Dharma era. Could this be why Ben chose them to be taken in Season 2? He must have remembered them from when he was younger? Did he know Juliet was on the island during the 70s as well? But then again, how could he if he was killed (my head hurts again). Anyway, most of you probably already put that together but I forgot that fact from the older seasons and thought I’d share it in case you have a fuzzy memory like me.

Lost Season 5 Episode 7 “The Life and Death of Jeremy Bentham”

Lost
“The life of Locke before his death”

An essential episode but one that didn’t throw up too many revealing answers.  I had in my mind that this episode would throw up loads of WTF moments but that wasn’t the case, it’s not to say that’s a bad thing.  Another weird structured episode in which the action takes place mostly all off island.  Originally this episode was supposed to air last week, with 316 last night.  They decided to switch them so they could get the Losties back to the island quicker and it makes a lot more sense to have them switched.

The beginning of the episode showed that Ajira Airways plane did crash but crashed on the Hydra island.  We have the two new characters, Cesar and Ilana being snoopy around the station.  As most of us guessed, these two characters are going to be important.  They find Locke alive, who’s just sitting on the beach.  He is very much alive and doesn’t remember how he got back to the island, all that he knows is that he died.  Now if this episode aired first we wouldn’t have had all the questions we had last week.

We flashback and after John turns the wheel, he ends up in Tunisia, very much like Ben did.  A camera is facing towards him and he cries for help.  Locke’s taken away for medical treatment and meets Widmore for the second time, although he’s much older now.  Widmore is the one who put the camera there, according to him that spot is the exit point from the island.  Widmore seems to be astonished because he met John when he was 17 and it was only four days previous for Locke meeting him.  He also divulges that he used to be the leader of the island, though Ben tricked him into leaving.  At this point I was thinking who to really trust because Widmore was being very nice to John, gave him everything he needed to find the others and persuade them to bring them back.  He even gave him his new identity of Jeremy Bentham.  Matthew Abaddon appears once again who’s John’s driver, to take him anywhere he needs to go.

Locke proceeds to go visit Sayid, Kate and Hurley with no luck at all at persuading them to go back to the island.  I very much liked all of these scenes, the Kate scene in particular was harsh of her.  Abaddon takes John to visit Helen, who has died.  Helen is in the place she is supposed to be, according to Abaddon.  It was her destiny and it’s John’s destiny to end up back on the island.  Then Matthew Abaddon fulfils his destiny and gets gunned down.  Locke while escaping, get’s into a car crash and ends up in the same hospital Jack works in.  John tries to get Jack to go back but he’s having none of it.  Locke tells Jack that his father says hello and this seems to be the reason that Jack begins to buy return tickets to Sydney, in the hope he crashes on to the island.  We know he has been seeing visions of his dad, so we can see the origin of why he so desperately wants to go back.

John realising he is a failure, tries to hang himself but Ben barges in and tells Locke that he cannot die.  One of the finest scenes in the show, when Ben tries everything in his power to stop John from killing himself.  Then Locke mentions that they must find Eloise Hawking and this sets Ben off, he kills John himself and makes it look like  a suicide.  Ben was so adamant in helping John but the moment he found out John knew Ms Hawking he snapped.  Why did Ben kill John?  Who are we to trust?  We have Widmore who seems to treat John with respect who’s saying Ben is the bad guy.  Though we have Ben who’s saying he’s been protecting the Oceanic Six and makes sure Locke doesn’t kill himself but then kills John himself.  Right now I’m more trusting of Widmore.

The end of the episode is back on the Hydra island and Locke finds out Ben is one of the wounded.  At first I thought it would be Widmore but Ben makes the most sense.  This is going to provide some interesting scenes to come.  Though the real question to come out of this episode is, how is John alive?  Most of us assumed that he could be a Christian Shepherd like character but apparently no.  Everyone can see him and he’s walking around, very much alive.  He’s not a ghost or a vision.  It’s funny that I can easily accept a man who was killed, to be walking around alive like normal. 

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What did you think of tonight’s episode of LOST, “Because You Left” & “The Lie’? It sort of reminded me of the 1978 reunion episode of Gilligan’s island where the cast finally gets off the island, but after being home for awhile they start to miss each other. This causes them to have a reunion cruise, which inevitably capsizes on the same island they escaped from. Okay, okay, Lost is about a million times better but it proves a good point. If a show is based on people being stranded on an island, and they make it off said island, there are only two options. Either the show has to end, or they have to go back.

It looks like this season they are going back. But why does Locke need to go back with them? Will he come back to life once he reaches the island? The island brought his legs back to life, so maybe it could work? A better question might be how in the heck did Locke make it off the island and how did he die? And how come Penny, Desmond, and Lupida (the helicopter pilot) don’t need to go back? I guess it wouldn’t be “Lost” if I didn’t have a million unanswered questions.

The good thing about tonight’s 2 hour premiere is that we got an answer as well. One of the major secrets of the island has been confirmed - its ability to manipulate time (which many of you might have already speculated from last season). What’s going to happen when Jack and Co. return to the island? I assume they will try to escape again, but will the island let them? I also have a theory that Jin is still alive. We see the boat explode, but not all of it. Much of it was still intact as the helicopter pulled away. Does anyone else think that Sun has turned evil? If you have any theories of your own, feel free to share them below.

Season 4 of LOST was just released on DVD and Blue-ray last week, and I took the chance to not only watch all the episodes again, but to take a look at all the special features, which are just that, special.

Since I do realize that not everybody that is interested in getting this DVD has actually seen Season 4, I decided to divide my review in two parts. One will be a non-spoiler review of the DVD, and the other part will expend on part one by mentioning specific episodes and events that happened during the season. So if you don’t want to be spoiled, don’t cross the SPOILER line below.

The first thing you need to know about this season, is that so far it is my favorite season. I was starting to get a little disappointed by previous seasons, and just wasn’t that excited about Lost, but because of Season 4, Lost has moved back up to one of my top favorites shows.

After a pretty shocking cliffhanger at the end of Season 3 (what do you mean flash forward!!!), needless to say there is much to be excited about this season. Episode after episode Lost amazed me and made me beg for more. This season only has 14 episodes, but you don’t one to miss a single one. Each one will reveal more and more about what’s to come. Yes, it’s true Lost is finally giving us some answers, although they keep adding questions as well (what do you expect, this is Lost). The difference with this season is that it feels like everything is moving towards a goal, an ending point, which is in fact coming.

Of course, the last episode will leave you excited for the next chapter with the reveal of who’s funeral Jack was talking about at the end of Season 3.

The special features are really great, and I am not usually one of those people that spend a lot of time on special features, but I took the time to watch all of them. Their behind the scenes videos are really fun since you get to go behind the scenes and check out how some of the scenes from Season 4 were filmed. You also find out how Hawaii is transformed into different places in the world, and much more. Definitely worth spending the time on them. You can find the full list of features below.

So if you want to be up to date and ready to go for the new season premiering on January 21st, then make sure to get the Lost Season 4 DVD.

In keeping with the previous episode, the pace remains relatively slow in terms of the time elapsed. This makes a certain amount of sense; it gives the writers more of a chance to delve into the interwoven plot threads that ultimately must converge in decidedly troubling ways. The writers seem to be following a standard practice for new shows by spending the first third of the season introducing the characters, their histories, and the primary conflicts among them.

Many fans were worried that the almost immediate revelation of some mysterious creature on the island would become a tired plot device all too soon. Perhaps it’s because they don’t know the credentials of the writing staff. The writers are largely veterans of long-term story arcs, especially when it comes to JJ Abrams and David Fury. Of course, showrunner Damon Lindelof is rumored to have a strong background as well.

This episode focuses on the character of Locke, and if this episode is any indication, all theories mentioned in the previous reviews can be considered null and void. The writers have obviously done their homework when it comes to defying expectation. They were well aware of the kind of character Terry O’Quinn is known for, and they made sure that the audience would be stunned by the truth behind Locke. And as far as plot twists go, this one works very well.

It was easy to assume that Locke was connected to the military, and his somewhat disturbing expressions made it easy to assume that he knew something about the island that the rest of the survivors didn’t. Well, the first assumption was very wrong; the second was absolutely correct, but for all the wrong reasons.

Making Locke a tragically unstable figure is brilliant, and Terry O’Quinn plays the role exactly as it needs to be played. It would be easy to dismiss the actor as one-note, but his work on this series demonstrates how wide his range can be. Make no mistake, playing a role like Locke requires subtlety, because it could easily be taken over the top by a less capable actor.

What gives O’Quinn the chance to put his talents on display, of course, is the strong writing. At the beginning of the episode, it’s easy to assume that Locke is some kind of military expert. Very quickly, that assumption is turned on its head; Locke is really an office worker with dreams of military adventure. He spends his lunch hour playing strategy games, fending off the cruel insults of his much younger boss. That crushing corporate atmosphere is all too familiar in American culture, and it’s easy to sympathize.

His overconfidence is rather plain in his choice of hunting companions. He seems completely assured in his own ability to hunt down a razorback and prove his worth. His casual attitude towards Michael’s injury and mumblings about destiny make it all too easy to assume that he is actually insane. And the fact is, he might very well be out of his mind. He considers himself in a relationship with a woman on a phone sex service, which is typically not a sign of stability. By the time that he comes face to face with the unseen creature on the island, one can’t help but wonder if Locke is about to get some kind of karmic comeuppance.

The final act, however, is a stunning series of revelations about Locke’s true secret. All his talk about destiny and “not telling him what he can’t do” comes into startling context when it’s revealed that Locke was once wheelchair bound. Now his comments about miracles on the island make complete sense. At the same time, this only deepens the overall mystery that the island represents. What could possibly explain the fact that Locke can suddenly walk on his own two feet?

His overconfidence makes sense in light of this information, because now he really does feel like he has been given the chance to prove himself, all by the hand of some unseen divine intervention. There’s also his completely unexpected survival. It’s somewhat obvious that the unseen creature killed the razorback, and that Locke has no intention of telling the others what he’s seen.

Underneath it all, of course, there is the disturbing impression of an unhinged mind. The first person to challenge Locke over what he can or cannot do is going to be lucky to survive the experience. Locke has definitely been waiting for the chance to show the world what he’s capable of, and his military/survival fantasies could develop into a true Napoleon complex. Imagine Locke in charge of a subgroup among the survivors; however sympathetic Locke’s story might be, it’s not a pretty picture.

For any other series, Locke’s story might represent the totality of the episode’s plot. Everything would be subordinate to the goal of telling this man’s story. But David Fury, the primary writer for this episode, knows how to layer an episode and advance several plot threads at once. Like the previous episode, the characters themselves drive the action.

In the first hour of the pilot, Jack took on a leadership role, trying to save lives and find a means of contacting a rescue party. Despite stepping back in the days that followed, Jack is still seen by many as the default leader. Clearly, he doesn’t want that responsibility, at least not all of it. He does make the necessary call when it comes to taking care of the bodies in the fuselage (one can only imagine how it was beginning to smell), but when it comes to addressing their religious concerns or seeing to the mental health of the survivors, he doesn’t want that responsibility.

His attitude seems harsh, but this is also a man with wounded hope. His own mental health was attached to the fate of the marshal, and when it was necessary for Jack to put the man down, it was like killing his own hope in the process. That said, Jack didn’t need to be as harsh as he was when refusing to lead the memorial. Those scenes seem written specifically to suggest that Jack is not a natural leader by any means.

On the other hand, he does have a basic decency that shines through whatever issues are hanging over his shoulders. He takes the time to speak with the woman who lost her husband, which no one else seems to be willing to do. Jack is likely to find himself pushed more and more into that leadership role, and it will be interesting to see if Jack’s background is exposed as a result of his reluctance to accept that role.

Oddly enough, if there is one character that seems to be on walkabout, it’s Kate. As more than one character notes in this episode, Kate seems rather unnerved by the idea of being forced to stay in one place. In terms of whatever crime she’s committed, she could now consider herself free of that burden. At the same time, she’s now truly confined, more than a simple jail cell could achieve. It’s not surprising, then, that she is making such an effort to get off the island, even at risk to her own life.

Charlie’s role in the episode is somewhat reduced, but there is still some vital exploration of his character. If the amount of material in his little baggie is any indication, Charlie is going to be in some serious trouble in a matter of days. Deep down, it seems like Charlie is a decent enough man, perhaps a gentle soul caught up in the trappings of semi-stardom. He’s easily swayed by a pretty face, but even so, he takes honest joy in his attempt at fishing. If the previous episode suggested that he would begin relating with Claire, however, this episode strays from that a bit.

As expected, Hurley’s size is beginning to cause problems with the more suspicious and hostile survivors. His character is a natural means of exploring the food issue, something that was thankfully addressed at the exact time that it should. Even if there was food in the fuselage, the conditions would be such that most of the food would be inedible after a few days. The food crisis is also the perfect way to segue into Locke’s story.

Sayid’s character gets more depth in this episode. The writers are doing a wonderful job of giving his character some sympathetic shades, rather than falling on the typical depiction of a Middle Eastern man. His love for the woman in the pictures is palpable, and it gives his efforts strong focus. It’s also clear that he is a man of no small religious conviction, based on his belief that the dead passengers in the fuselage be dealt with according to what their religious beliefs would apparently dictate. Sayid is comes across as very humane, a genuinely likable character.

Sawyer, on the other hand, becomes more and more annoying as the episodes march on. The man complains about the food situation, but when it comes time to hunt down a substantial source of food, he doesn’t offer his strength to the cause. Instead, he predicts failure and mocks Locke for even suggesting they hunt for food. He comes across as someone who prefers the easy way out, and that kind of person often turns to violence when things don’t go their way.

In previous episodes, Boone seemed to be a bit harsh in his criticism of Shannon. This episode places that in a more reasonable perspective. Shannon appears to be the spoiled little rich girl, and she certainly has a lot of practice getting people to do things for her. She uses Charlie without hesitation and without regard for his feelings, and when Charlie succeeds, she actually believes that she proved her brother wrong. It seems as though Shannon is moving rapidly towards a serious life lesson.

Claire is a character that is very hard to interpret. She seems to be very open and caring, especially since she feels for the dead passengers and believes that something should be said in their passing. At the same time, she’s almost too casual about her baby. In previous episodes, she didn’t seen nearly concerned enough about the baby being still. It’s hard to know what Claire is all about, but there’s an undeniable optimism there. And that Australian accent is damn sexy!

Michael and Walt continue to have issues between them, which is not at all surprising. Michael tries to prove himself time and again, and things do not go well in the process. It’s interesting that Michael would ask Sun to watch over Walt for him; there’s something going on there, and it could get ugly very fast. After all, in some areas, there are serious tensions between African-Americans and Korean-Americans, and someone like Jin with strict cultural interpretations could see Michael as a threat. (Beyond that, doesn’t Michael’s injury seem much smaller when they arrive at camp?)

As far as the mystery of the island goes, the unseen creature makes another appearance, and it creates a setback in the effort to triangulate the source of the French transmission. It seems rather strange that the creature remains hidden when moving the trees around; it’s almost as if the creature is invisible or otherwise cloaked. One would hope that the nature of the creature is revealed sooner rather than later, since it would otherwise come across as a convenient plot device.

The real shocks come in the final act, when Jack sees a man in a suit jacket and sneakers lurking in the trees. His first appearance is incredibly creepy, and considering the topic of conversation at that exact moment, it’s very unnerving. What if the tail end of the plane did crash on the other side of the island, and people survived that part of the crash as well? Or even worse, what if that man has been on the island much, much longer?

The real question concerns Locke’s miracle. Was it a miracle caused by something on the island, or was it simply a matter of chance? Without knowing the reason for Locke’s condition prior to his trip to Australia, it’s hard to know what his ability to walk fully entails. The likelihood is that the condition was something that would require something more than simple medical intervention, so there is something more at work on the island. The question is, how does that miracle connect to the unseen creature and/or the man in the suit? Or is it something completely unconnected?

Any episode written by David Fury would have a certain level of dark humor included, and this is no exception. At times, the episode seems a bit lightweight, but that is part of the overall deception; everything is designed to maximize the power of the final act. Everything still happens with an edge of desperation beneath the veneer of civilization, and whatever attempts at cooperation were made at the end of the previous episode are already beginning to fall apart. The writers know better than to let things get too depressing, and that balance goes a long way towards the early success of the series.

Overall, this episode was a well-written exploration of Locke and his particular brand of insanity. His story leads to a number of startling revelations, all of which serve to deepen and enrich the mystery of the island. A certain realism is still maintained, and the conflicts continue to deepen between the survivors. Mixed with a dash of humor, the series continues to prove that character-driven drama beats anything else out there.

Writing: 2/2
Acting: 2/2
Direction: 2/2
Style: 2/4